Masatoshi Nagase's life work is "camera".Why do you shoot more people than landscapes?(J -WAVE NEWS) --Yahoo! News

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Masatoshi Nagase

俳優のMasatoshi Nagaseが出演作『再会の奈良』や、ライフワークのカメラを語った。永瀬が登場したのは、J-WAVEで1月31日（月）に放送された『GOOD NEIGHBORS』（ナビゲーター：クリス智子）のワンコーナー「TALK TO NEIGHBORS」。

Appeared in the movie "Nara of Reunion"

Chris first mentioned the movie "Nara of Reunion" (released on February 4). He recalls that at the international film festival, Nagase was impressed that she said, "I want to go if she is called any movie." Chris: This movie is a movie born as a project in the international film festival. Naomi Kawase, who has been associated with Nagase, is also an executive producer. How did this reach Nagase? Nagase: Before I was, when I was a judge in the International Film Festival student department, this work of Ponfay was won the audience. So, I was meeting at a glance, but I was told by Director Naomi Kawase to shoot this "Nara of reunion". I was shooting only for one day. Chris: The time of appearance was not so long, but it was an impressive role. In 2005, Chen Boba from China relys on a showler like her granddaughter, and comes to Nara alone. She returned to Japan, an orphaned woman, Reika, to Japan in 1994, but she had been in contact a few years ago and was worried and came to search. In front of the two who started searching for Reika, Kazuo, who had only been a coincidence, offered her to find Reika because she was a former police officer. Set in Nara and Imperial Palace, a strange and heartwarming trip of three people who are connected with a mysterious edge across the wall of words begins. Will Chen Boba reunite with her beloved daughter through a new encounter in a foreign land? (From the official website of the movie "Nara of Reunion") Chris: How was Nagase decided to participate in this work? Nagase: At the time of calling out, I said, "I'll do it" (laughs). This time, the executive producer includes director Naomi Kawase and China Ji Jang. We are very sympathetic to the purpose of the projects of various Asian countries who come together to shoot in Nara, and to raise a young video writer called NARATIVE. I wanted it. Chris: Nagase was the manager of the temple who holds the key to the story. He is also involved in the history of the painful war during the day, with his ears inconvenient. Wasn't he difficult to perform in his words? Nagase: I didn't speak much about 4 days, about 5 days ago. At the site, the director is a written story and a gesture. That's why I haven't talked with other actors almost during the shooting. Chris: That's what it is. Nagase: I wonder if I should try it like that. I thought it was a role, because I suddenly thought I couldn't do it. Chris: That's right. Did it get out of it? Nagase: After I got OK in the last scene from the director, I felt like I could finally talk! (Laughs).

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